Pilate's House (La Casa de Pilatos) is an Andalusian palace in Seville, Spain, which serves as the permanent residence of the Dukes of Medinaceli. The building is a mixture of Renaissance Italian and Mudéjar Spanish styles. It is considered the prototype of the Andalusian palace. The construction of this palace, which is adorned with precious azulejos tiles and well-kept gardens, was begun by Pedro Enríquez de Quiñones (Adelantado Mayor of Andalucía) and his wife Catalina de Rivera, founder of the Casa de Alcalá, and completed by Pedro's son Fadrique Enríquez de Rivera (first Marquis of Tarifa), whose pilgrimage to Jerusalem in 1519 led to the building's present name of "Pilate's House".
On 20 October 1520, Don Fadrique returned from a trip through Europe and the Holy Land. During Lent in 1521, he inaugurated the observance in Seville of the Holy Via Crucis (Holy Way of the Cross). The route began in the Chapel of the Flagellations of his palace and ended at a pillar located not far from the Templete, or Cruz del Campo (The Cross of the Field) located outside the city walls. This route ran the same distance of 1321 paces supposed to have separated the praetorium of Pontius Pilate from Calvary.
The Marquis's palace, the Palacio de San Andrés, was then still partly under construction; it later became known as the Casa de Pilatos through its association with the Vía Crucis, and was much altered over the next few centuries. Popular imagination has since mistakenly identified the palace as a copy of the house of Pilate; thus the rooms have been named along the theme of the Passion of Christ: "Hall of the Praetorian", "Chapel of the Flagellations", etc. It was declared a National Monument in 1931. The oldest documentation of the name Casa de Pilatos is from 1754.
The palace is accessed through a Renaissance style marble gate, designed by the Genoese Antonio Maria Aprile in 1529, and surmounted by a Gothic crest possibly brought from the palace that developers were building in Bornos. The gate leads to a typical Andalusian courtyard where a fountain surrounded by twenty-four busts of Spanish kings, Roman emperors and other relevant characters collected from the ruins of Italica are distributed along the lower galleries of the courtyard.
The courtyard, in turn, leads to two gardens with plateresque adornements. A staircase to the top floor is decorated with azulejos tiling and a ceiling of Mudéjar honeycomb, made by Cristobal Sanchez. The rooms on this floor include major paintings dating from the sixteenth to the nineteenth centuries, including the Pietà by Sebastiano del Piombo. In the room to the left wing of the Tower the ceiling displays frescoes painted by Francisco Pacheco between 1603 and 1604 that enhance the apotheosis of Hercules, and in the room that follows the Tower is a tiny series of works by Francisco Goya of a bullfight, then a still life by Giuseppe Recco in the dining room and a table representing Mary Magdalene painted in the sixteenth century; in the library are three works by painter Luca Giordano. As with most palaces of the period, the Casa de Pilatos also has a chapel, designed in a fusion of the Gothic and Mudéjar styles, with antique decor and numerous manuscripts. The Casa de Pilatos is considered one of the finest examples of Andalusian architecture of sixteenth century Seville.