Trafalgar Studios

Trafalgar Studios, formerly The Whitehall Theatre until 2004, is a West End theatre in Whitehall, near Trafalgar Square, in the City of Westminster, London.

Also known as Trafalgar Studios at the Whitehall Theatre in honour of its former incarnation, the building consists of two intimate theatres designed by architects Tim Foster and John Muir. Studio 1, the larger of the two spaces with 380 seats, opened on June 3, 2004 with the Royal Shakespeare Company's production of Othello. Studio 2, with 100 seats, opened in October 2005 with the play Cyprus.

The original Whitehall Theatre, built on the site of the 17th century Ye Old Ship Tavern was designed by Edward A. Stone, with interiors in the Art Deco style by Marc-Henri and Laverdet. The theatre opened on September 29, 1930 with The Way to Treat a Woman by Walter Hackett, who was the theatre's licensee.

Between 1997 and 1999, the theatre was converted into a television and radio studio used primarily to broadcast Jack Docherty's popular talk show and BBC Radio 4's Live from London. It returned to theatrical use, with such productions as Three Sisters, Puppetry of the Penis, "Art", Rat Pack Confidential, and Sing-a-Long-a-ABBA, before its owner, the Ambassador Theatre Group, announced the building would be reconfigured and reopen with a new name.

Since 2004, Trafalgar Studios has presented short runs of revivals of classic plays and musicals, including Sweeney Todd (2004); Losing Louis (2005); a season by the RSC repertory season, from December 2005 to February 2006, of plays including Sir Thomas More, Sejanus: His Fall and Believe What You Will; an adaptation of Jane Eyre by Polly Teale (2006); Bent (2006–2007); Elling (2007); Dealer's Choice (2007–2008); Fat Pig (2008, transferring to the Comedy Theatre); Entertaining Mr Sloane (2009) and A Christmas Carol (2010–2011). Three Days in May showed at the theatre from November 2011 to March 2012.

The theatre was Grade II listed by English Heritage in December 1996, noting "The auditorium has a decorative cohesion and prettiness rare in theatres of its day, and has the best surviving original fabric of this type of theatre".